Aragorn is revealed as the heir to the ancient kings as he, Gandalf and the other members of the broken fellowship struggle to save Gondor from Sauron's forces. Meanwhile, Frodo and Sam bring the ring closer to the heart of Mordor, the dark lord's realm.
And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?
Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.
And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.
In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.
The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.
And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.
Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.
Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).
But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.
Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.
New Line Cinema, WingNut Films, The Saul Zaentz Company by Peter Jackson, J.R.R. Tolkien, Fran Walsh, Philippa Boyens.
Stars: Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom.
Genres: Adventure, Drama, Fantasy
Keywords: elves dwarf orcs middle-earth (tolkien) hobbit based on novel or book suspicion volcano power giant spider bravery war addiction honor royalty troll brutality violence ghost wizard quest sword and sorcery
Watch thousands of shows and movies. HBO®, SHOWTIME®, CINEMAX® and STARZ® are also available as add-ons. Starting at USD 5.99 / month and is a steal when we compare the streaming quality and the variety of services on offer. Hulu is gaining traction all over the world. In case you are not from the USA and still want to use Hulu to watch than using a decent VPN is one option that you must explore.
Priced at USD 44.99 most of the significant channels are available on this app. Its a Google product hence the streaming quality under every kind of internet connection is just flawless. They are after-all the market leaders of online videos and live stream. Remember this is also a bundled service and provides for many good entertainment channels. Its a very reliable service, and people residing outside the USA should check for the availability of the channel in their country. If its not available then using a decent VPN service is the best bet.
Priced at USD 44.99 per month. PlayStation Vue is all action and no nonsense streaming option out there. It provides an extraordinary live TV streaming experience. It is currently only available in the USA. In case you still want to use it a descent VPN service is recommended.
We have got solutions for you where you can use VPN’s to have access to the channels using your streaming service. Though you may find tons of VPN brands over the Internet, choosing the correct one can become difficult.
We have picked the best VPN brand for you so that you can peacefully watch sports from your home’s comfort.
We recommend using ExpressVPN to easily access a variety of channels anonymously and securely. ExpressVPN offer blazing-fast VPN speeds to watch on all devices, the best-in-class privacy protection and unlimited premium bandwidth. Get ExpressVPN now for 49% off their 12-month package at only $6.67/month and watch your favorite movies, shows and live streams!