I'm Thinking of Ending Things (2020)


Nothing is as it seems when a woman experiencing misgivings about her new boyfriend joins him on a road trip to meet his parents at their remote farm.

Charlie Kaufman is undeniably one of the greatest writers of the 2000s. Being John Malkovich and Eternal Sunshine of the Spotless Mind are some of his most notable works, but it’s Synecdoche, New York that’s considered by many as one of the best films of the respective decade. Therefore, I was obviously excited about his return to live-action movies (since 2008, he’s only made the animated feature, Anomalisa). I’m Thinking of Ending Things boasts an incredibly talented cast, capable of seating me down and make me watch any film they participate in, even though Jessie Buckley (Dolittle) is sort of a new face to me. My expectations were moderately high, so how did it go?
I’m not going to lie, I found this movie so intricate that I had a really hard time figuring it all out. As soon as it ended, I knew I didn’t understand it in full, which generated an unusual yet refreshing feeling inside me. I felt the need to not only think about the film all night but since I didn’t have the time to watch it again, I returned to a few specific scenes in the next morning. I also researched a bit and talked with a fellow critic to settle some of my mind’s internal debates. I write this to imply that this is not an easy movie to decipher, which will definitely throw some people off. It’s a film that requires all of the viewer’s attention and self-questioning capability. Otherwise, things will get complicated.
As usual, I’m not sharing any spoilers, so I’ll keep my opinion about the story’s multiple interpretations to the bare minimum. Of all the numerous ways of explaining this movie, I found two: either from Jessie Buckley’s character’s perspective or from Jesse Plemons’. I like both for different reasons. In terms of logic, which every viewer will struggle to find, Plemons’ character is the key to understand the remarkably complex, multi-layered narrative. Looking at the film from his perspective, everything makes much more sense. However, it’s surprisingly from Buckley’s view that I find the movie’s message to be more interesting and likely to resonate with most people.
Making an impactful move in life requires determination, courage, decisiveness. Moving to another country, switching jobs, ending a relationship… all can be extremely demanding and psychologically painful. I’m Thinking of Ending Things brilliantly demonstrates how one can delay these actions sometimes indefinitely. From the excruciatingly long car drives (almost an hour of the runtime is spent inside the car listening to the main characters debating apparently random philosophical themes) to the enigmatic transitions of time passing by, Kaufman’s screenplay keeps transmitting a message of how people are stationary and time just keeps flowing.
This film takes ambiguousness and metaphoric filmmaking to a whole other level. Not only everything the viewer is seeing has, in some shape or form, a philosophical meaning, but the dialogues between the main characters are themselves about cultural, intellectual, sophisticated matters. Some of these conversations have an eventual impact in the narrative or in the characters, some just feel like Kaufman needed to express his thoughts on several subjects. With a runtime of slightly over two hours, this movie overstays its welcome a bit due to the insistence in delivering repetitive, similar scenes with the same goal.
The time shenanigans performed in the parents’ house is undoubtedly intriguing, but it’s more distracting than helpful story-wise. Having in mind the already puzzling narrative, the confusion associated with understanding how time works only creates even more doubts. It also deviates the viewer’s attention from the real focus, which didn’t help my first viewing. In fact, I was so concentrated trying to comprehend the purpose behind the old-young versions of the characters that I completely lost track of the runtime, ultimately thinking the film was near its ending when it still had forty minutes to go…
There’s a limit to how abstract and implicit a movie can be without becoming genuinely hard to understand, and Kaufman walks that threshold. Successful sometimes, not that much in other moments. Nevertheless, I can only share compliments from now on. Firstly, the cast. I’ve been in love with anything Toni Collette does since Hereditary, and once again, she’s weirdly captivating as an amusing yet disturbing mother. David Thewlis offers a subtler performance, as well as Jesse Plemons, even though the latter explodes with emotion in the third act.
However, Jessie Buckley steals the spotlight in impeccable fashion. Like I mentioned in the beginning, I know very little of her as an actress, but I’ll make sure to add her to the list of “actresses to follow closely”. With one of the biggest emotional ranges seen this year, she delivers an incredibly captivating display, one that should guarantee her name in future contender’s list for the awards season. From citing entire poems to fiercely debating any topic thrown at her by Plemons, her commitment to the role is palpable. An astonishing performance that I will remember for a long time. However, it’s in the technical realm that this film achieves perfection.
Without the shadow of a doubt, this is the best movie of the year when it comes to the technical attributes (until the date of this review, obviously). Almost every filmmaking element carries a tremendous impact in either the narrative or its characters. The purposefully rough editing (Robert Frazen) adds to the perplexing atmosphere. The lighting plus the production (Molly Hughes) and set design (Mattie Siegal) help identify “where” a particular event is happening. The detailed costume design (Melissa Toth) and the impressive makeup are vital to the understanding of everything that occurs in the parents’ house. The distinct cinematography (Łukasz Żal) elevates every single action performed by the characters. It’s a technically flawless film, and I wouldn’t be surprised to see it being nominated for several categories when the time comes.
I’m Thinking of Ending Things might be a Netflix original movie, but it screams A24 all the way. From the incredibly perplexing narrative told through bizarre storytelling to its distinctly unconventional technical characteristics, Charlie Kaufman offers a remarkably complex film that can take different interpretations (and may require more than one viewing). His insistence in transmitting one of the film’s messages through never-ending philosophical conversations and confusing time-bending distractions stretch the story to an unnecessary long runtime that hurts the overall piece. Nevertheless, all messages are successfully delivered through an intriguing, head-scratching, weirdly captivating story packed with cultural debates and unique characters. An absolutely outstanding Jessie Buckley elevates every single line of dialogue, showing tremendous emotional range, but the impressively talented cast also improves the multi-layered screenplay. Technically, it is and it will remain as one of the best movies of the year. Every technical aspect is close to perfection, and almost all have a massive impact on the story and how the viewer interprets it. It will undoubtedly create a gap between critics and audiences since it has all the ingredients that usually place these groups at opposite extremes. I can only recommend it to people who are able to dedicate their full attention to what they’re watching while being capable of self-questioning. It’s not your usual Netflix flick to pop during tedious home tasks to help pass the time, so make sure you know what you're getting into!
Rating: B

Likely Story, Projective Testing Service by Charlie Kaufman, Iain Reid.
Stars: Jesse Plemons, Jessie Buckley, Toni Collette, David Thewlis.

Genres: Drama, Thriller

Keywords: philosophy based on novel or book winter dementia farm road trip surrealism janitor snow school psychological thriller relationship blizzard


Streaming Services


Watch thousands of shows and movies. HBO®, SHOWTIME®, CINEMAX® and STARZ® are also available as add-ons. Starting at USD 5.99 / month and is a steal when we compare the streaming quality and the variety of services on offer. Hulu is gaining traction all over the world. In case you are not from the USA and still want to use Hulu to watch than using a decent VPN is one option that you must explore.

Youtube TV

Priced at USD 44.99 most of the significant channels are available on this app. Its a Google product hence the streaming quality under every kind of internet connection is just flawless. They are after-all the market leaders of online videos and live stream. Remember this is also a bundled service and provides for many good entertainment channels. Its a very reliable service, and people residing outside the USA should check for the availability of the channel in their country. If its not available then using a decent VPN service is the best bet.

PlayStation VUE

Priced at USD 44.99 per month. PlayStation Vue is all action and no nonsense streaming option out there. It provides an extraordinary live TV streaming experience. It is currently only available in the USA. In case you still want to use it a descent VPN service is recommended.

VPN Services

We have got solutions for you where you can use VPN’s to have access to the channels using your streaming service. Though you may find tons of VPN brands over the Internet, choosing the correct one can become difficult.

We have picked the best VPN brand for you so that you can peacefully watch sports from your home’s comfort.


We recommend using ExpressVPN to easily access a variety of channels anonymously and securely. ExpressVPN offer blazing-fast VPN speeds to watch on all devices, the best-in-class privacy protection and unlimited premium bandwidth. Get ExpressVPN now for 49% off their 12-month package at only $6.67/month and watch your favorite movies, shows and live streams!

  • Bypass geo-restrictions to access: Netflix, Hulu, HBO NOW, BBC iPlayer, iTV, Sky Go (Italy), Rai TV, Crackle, Showtime, Sling TV, FX, NBC, ABC, and more
  • The only provider that unblocks Netflix not just on the VPN, but also using SmartDNS on non VPN–compatible devices such as: Apple TV, PlayStation, Xbox, and smart TVs
  • Unconditional 30-day money-back guarantee